Say When Laggies evaluate 2014
Keira Knightley is constantly on the open up as an actress with this sparky comedy. As in Begin Again and The synthetic Game, She taps into her own lively personality to brew a punchy character who's loose, Likeable so prickly. And so the film has a warm, engaging tone that's often both honest and funny, It also feels somewhat artificial as it pushes Knightley's character into corner after corner. As with films like Humpday [-censured-=https://chnlove-scam.tumblr.com/]chnlove[/-censured-] alongside Sister's Sister, director Lynn Shelton takes a spirited idea and ends up playing it oddly safe.
It's placed in Seattle, how Megan (Knightley) Is in her late 20s, Horrified to see her close circle of friends settling down into predictable lives involving marriage and kids. So when her longtime boyfriend Anthony (damaged spot Webber) offers, Just as she understands that her dad (shaun Garlin) Has ripped off on her mom, Megan makes a run for it. At a easiness shop, a group of teens asks her to buy some alcohol, And suddenly she has a new best friend in Annika (Chloe love Moretz). mainly because they bond, Annika invites Megan you will be staying at her house. So Megan invents a story about attending a self help getting together with and lays low, hanging out with her new teen gang like it's the good old days. But Annika's single pop Craig (mike Rockwell) Begins to challenge Megan to realise that perhaps there are benefits to during our childhood.
regarding, It's obvious from the moment Megan and Craig start bickering where this is headed. And these predictable plot turns feed into the original rom com structure of the screenplay, right up to climactic scenes at both an airport and the prom. There isn't a single surprise in the act, But Knightley's breezy performance is a lot of it to carry the audience with her on this odyssey. successfully charming even when she's being a jerk, She develops a wonderful improv like chemistry with both Moretz and Rockwell, so the bit players add plenty of texture to each episodic sequence. But she never finds anything particularly revealing to say about the need to grow up and accept liability for your life. minimal of Shelton has a way with actors, Providing them plenty of space to create vividly engaging characters while encouraging plenty of awkward energy with regards to and infusing scenes with sarcasm and unexpected emotion. But this is rather too contrived for a film that simply urges us to go with our gut.